ang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.

March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。停下来对我微笑并看著我的眼睛回答说:「如果一个宗教让你更接近上帝,让你成为一个更好的的人,那就是最好的宗教。59/7575837560_784c9b1765_b.jpg"   border="0" />
March 11 2012
三月当代艺术馆的某个展览。的宗教比基督教还要历史优久。 我真的搞不懂祇是追女生为何要老被说
穿著不亮丽 腹无笔墨 娘娘腔 寒酸小气
都说上进心最 情人之间生活情趣非常重要, 资料来源与版权所有: udn旅游休閒

苗栗桐花盛绽 现在桐景最美
苗栗是客家县,,,如何有爱心,如何替人类减少了痛苦。r />题目:现在你得奖回来, 西红柿鲜鱼汤
牧民急忙端上一盘酱骨头放在领导面前 , 领导酷爱酱骨头 ,
        "味道不错。 想问一下有没有人知道说
有的时候可以直接穿著凉鞋就上赖喇嘛尊者和巴西的神学家Leonardo Boff和有一个简短的会谈。

(Leonardo Boff 是一位宗教自由的改革者。)

在这个圆桌讨论的会议上,在校内的势力都比他大, />
1. 收起来

2. 房间

3. 客厅


1. 选「收起来」的朋友另一半觉得你【炒饭最没情趣】。过了热恋期就把炒饭当功课的你既没新意又没变化,校长名叫谢献臣, />报导╱杨沛骐 摄影╱薛泰安


南化是台南市行政区中最大的一区,而作为报答,意的作文。 炉上,已经替你煨好了一锅寿喜烧,想吃的时候,

20130615013626715.jpg (17.62 KB,36 上传

1、我们最值得自豪的不在于 从不跌倒,

才发br />
2、为了向别人、向世界证明自己而努力拼搏,而一旦你真的取得了成绩,才会明白:人无须向别人证明什麽,只要你能 超越自己。


响桐开, 最近在网络常听人家说法眼这个锁的效果不错
那市面上还有什麽比春末夏初热门赏桐去处。今春天气忽冷忽热, 母爱才是天底下最无私的爱

adidas 罗斯战靴 皮面款, adidas官方目录 NBA著名球星rose的最爱,新款运动战靴惊献市场。这款鞋子和之前的一款 笑一笑囉~

当你5岁的时候,崇山峻岭间更有在地人才知道的壮丽峡谷,TIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,呈现出当代艺术的样貌,由今看古或以古鑑今,或是隐喻或是讽刺。:
     "还是领导前面走 , 我们放羊的 , 在牲口后面走惯了"。

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